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We're here in the legendary mining town of Jerome, Arizona.

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Prospectors flooded this city, dreaming of cashing in big on the copper, gold and silver buried in these hills.

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But as the mines dried up and quickly descended into chaos, as a result of greed, gambling, prostitution and murder.

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Now over 100 years later, guests have reported seeing terrifying apparitions, been shoved by unseen hands and also objects flying across rooms.

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Tonight, these two teams are going to try and track down the spirits that call this Wild West town home.

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Explain.

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Please no joke.

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There's a snapping again. Please do that again. Keep doing that.

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This is Paranormal Challenge. Jerome, Arizona.

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Sounds just fantastic.

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Get on, go, go, go.

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He's spent your whole life speeding for hell with you.

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One more.

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Two teams.

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Dude, what the f***?

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One night.

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In hell, please.

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One haunted location.

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One winner.

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For the ultimate in dragging rush.

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I chose Jerome, Arizona because of the history.

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Gambling, prostitutes, murder was a way of life.

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This is a perfect place to have an experience with a ghost.

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Zach Biggins, the Paranormal Challenge chairman, is also lead investigator and co-founder of the highly respected and award-winning Ghost Adventures crew.

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Listen.

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He's completed hundreds of investigations, working with the world's most renowned paranormal researchers and scientists.

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I chose these two teams because they are indeed opposite.

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SAG apps, they're skeptics.

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They have their team leader as a skeptical approach to paranormal investigating.

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I like that because on the other side it's very different.

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You got the team leader, Crystal, of Living Proof of the Paranormal.

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She has a provoking nature in her investigations.

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Living Proof of the Paranormal, based in Denver, Colorado.

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I'm Crystal Heimbach.

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I am lead investigator.

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I tend to be the bossy one.

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One of my favorite quotes for myself is,

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some people can dance, some people can sing.

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I just happen to be able to communicate with the dead.

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My name is Greshing Castillo. I'm the video tech and sound tech.

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He is the comedian of the group.

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He tries to keep things kind of light,

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and he tries to bring a little bit of positive energy into the situation.

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I'm Aaron Oaks, the co-founder and the second investigator.

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He is kind of the quiet type.

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He takes the investigation extremely serious.

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He's very into debunking certain situations.

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There's always a possibility of losing to the other competition,

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but it's something you just don't think about.

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You just go straight ahead and just go for the kill.

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SAG-Apps from Tucson, Arizona.

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My name is Hector Bergen. I am the lead investigator.

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Our team name is Southern Arizona Ghost and Paranormal Society,

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but we also go by the acronym SAG-Apps.

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My name is Jim Rundell.

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I'm the tech manager, geek guy.

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I think it's very important to be meticulous

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and doing any sort of investigation the right way.

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My name is Laura Zickler.

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Laura is our main researcher on the team.

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I think we're a little more critical of the evidence that we collect.

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We've never really investigated a location that has so many possibilities,

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and so we're really ready to put the test to this place.

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After its founding in 1889,

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the small mining town of Jerome, Arizona,

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became so plagued by vice and anarchy,

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the New York Sun declared it the wickedest town in the West.

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Producing a billion dollars in gold, silver and copper over 70 years,

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Jerome's minds lured thousands of men and women dreaming of starting new lives.

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But those dreams became nightmares when dynamite dismembered miners.

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Prostitutes were found dead,

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and gamblers jumped from Jerome's buildings after losing too many hands.

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Experts of the paranormal believe the spirits of these old miners

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are trapped here, still searching for redemption.

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Living proof of the paranormal, SAG-Apps,

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you are going to be investigating the Jerome Grant Hotel,

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which was also called the United Verde Hospital.

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Living proof of the paranormal, if you want living proof of the paranormal,

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this is the place to go. This is Chris, his family owns this building.

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An expert on the Jerome Grant Hotel

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will take the teams on a historical walkthrough of the location.

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The information they learn will be used as a guide

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that they will later be judged on during the investigation.

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Listen to every single little detail he tells you,

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you're going to need that information.

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Good luck. Chris, take him away.

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Follow me, guys.

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This is the elevator control room.

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In 1935, when this was a hospital,

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Claude Harvey had been sent down here to do some work on the elevator.

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It was called down to the emergency room

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and stopped abruptly about right here in the opening.

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So he was underneath it.

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About 40 minutes later, he was found trapped with the car all the way down on top of his neck,

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and he was dead.

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When they finally did get the body off him underneath,

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they saw all the damage was on the front of his face and his forehead.

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He had been looking down an empty shaft.

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There was no way the elevator could have come down

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and injured the front of his face or his forehead.

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And nobody ever did figure out exactly who killed Claude

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or if it was an accident.

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We've now brought you guys up to the third floor, room 32.

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In the early 40s, there was a miner that was involved in an accident underground

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that left him to be a paraplegic.

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He did not want to be in the wheelchair,

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and as soon as he got the chance, he wheeled himself out of his room.

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He was able to pull himself up over this railing

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and plunge all the way to the parking lot below and commit suicide.

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The next patient to use this room was a man that was coughing a lot in the tunnels,

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and they found out that he had lung cancer.

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He had about eight months to live, and so they told him the news,

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and he said, okay, and he came back up to his room,

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and just about three o'clock in the morning

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is when they heard a gunshot ring throughout the entire hospital.

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So two suicides within six weeks,

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in the same room.

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In 1945, there was a woman admitted by her family.

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Her name was Gurthi May Patch.

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She was 24 years old, and she was suffering from schizophrenia.

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On the fourth night that she was here, she woke up.

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She was somehow able to get loose of the restraints that were on her wrists,

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and she opened up this window.

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She fell 30 feet.

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She lived for 36 hours after that and then died in this hospital.

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All right, you guys, you're going to walk down the road to the former hospital

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where Lonnie's waiting for you guys.

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Hey, teams.

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Hi.

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Hi.

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I met you down here because I personally want to introduce you to Lonnie.

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I met him here when we investigated here with Ghost Adventures.

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He said something very profound happened

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that haunted him personally and followed him from this building.

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He said something very profound happened

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that haunted him personally and followed him from this building.

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Welcome.

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This is my woodworking shop.

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I've been here for about five years.

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This building used to be a hospital in the town.

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Zach did an investigation here.

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When they came down to my house, after they left, my wife goes,

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whatever Zach brought with me, get it out of the house now.

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So I hope that we can find something in the buildings.

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When this was a hospital, this was the admitting room.

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A few years ago, there was a maintenance man that lived in this room.

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And his name was Michael.

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He had some depression problems, so sometimes I wouldn't see him

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for like a month and a half.

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He eventually just didn't have any place to go or anything to do and killed himself.

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Back in about 1918, when the Spanish Influenza came through,

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they had so many people dying that they actually stacked the bodies up in here

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on top of each other.

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So here we are on the third floor behind you,

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was the operating room.

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Back when this was a mining town, there were a lot of gruesome amputations

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and surgeries.

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Zach and I got our wits scared out of us by this door here, slamming completely by itself.

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Bought like that.

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There was absolutely no wind that night.

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It was calm as calm can be.

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With the competition set to begin,

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Zach gets each team geared up with the most advanced paranormal detection equipment

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for tonight's challenge.

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How you guys doing?

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Good.

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Good.

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Hector, need you to please come forward.

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Take a name out of that hat.

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Crystal, team leader.

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Got one?

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Who'd you guys get?

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Jim.

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Jim.

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Hi, Jim.

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Hi.

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Crystal, who'd you get?

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I have Gerson.

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Gerson.

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How you doing, man?

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All good.

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Guys, what is this?

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All good.

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Guys, what is the number of the most haunted room here?

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32.

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32.

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The two of you who are just chosen will be spending some time by yourself for 30 minutes

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with no light sources locked in that room.

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Okay?

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You guys ready to gear up?

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Yes.

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Each of you are going to be receiving two night vision camcorders.

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One that stays on a tripod.

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One full spectrum still camera.

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One full spectrum camcorder.

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You'll also be getting a millimeter, which measures for electromagnetic energy and temperature.

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You each get a thermal imaging camera and some external light sources.

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Are you guys ready?

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Yes.

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I need you to gear up, wait for our signal, and have fun tonight.

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Teams will conduct their investigations simultaneously.

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SAG apps will begin in zone one, which is the Jerome Grand Hotel.

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And living proof of the paranormal will start off in zone two, which is the old hospital.

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Strict time constraints are designed to push each team to the limit.

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They will only be given two hours to complete part one of the investigation, then switch locations

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and continue investigating for two more hours in part two.

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Teams will be judged on overall teamwork, technological proficiency, historical knowledge,

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and audio and visual evidence they are ultimately able to capture.

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Tonight's judges are three of the country's most notable paranormal experts.

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The problem is she's now changed the parameters.

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She's moved further down the hall.

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Dave Schrader, acclaimed paranormal conference lecturer, co-author of The Other Side,

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a teens guide to ghost hunting, and the host of the popular talk show, Darkness Radio.

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She said that she felt a cold spot just a moment ago.

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Patrick Burns, founder of Ghosthounds, is a professional photographer and organizer of the annual Ghoststock Convention.

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I just heard something which we're going to want to mark this, okay?

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And Chris Fleming, an award-winning medium appearing on numerous television shows and a paranormal conference lecturer.

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Chris, you are going to be watching SAG apps beginning in zone one, which is the main hotel here.

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Patrick Burns, you are watching living proof of the paranormal beginning over in the old hospital,

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down the road a few hundred yards in zone two.

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Let's ask the teams if they're ready.

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SAG apps, are you ready?

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Yes.

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Living proof of the paranormal, are you ready?

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Yes.

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Woo!

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Alright, the portals are open. Let the challenge begin.

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Two hours start right now.

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Beep, beep, beep, beep.

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Just get Jim the full spectrum, uh...

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You got what you need?

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I got everything.

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Let's move. I got this.

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You ready Hector?

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You bet.

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Are you trying to turn on the TV?

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Yes, this TV is trying to go on.

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What?

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Now every team has been, uh, settled with the exact same equipment, so it's even across the board.

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We have one cameraman and one audio technician that's following each team.

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Also stationed throughout the building, we have robotic cameras.

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So let's go audio up and check in on living proof of the paranormal.

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Whoa!

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Do you guys feel that?

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Super, super breeze, guys.

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Whew, it got really heavy.

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Behind you was the operating room.

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Back when this was a mining town, there were a lot of gruesome amputations.

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Aaaaaah!

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There just appeared to be something moving outside this doorway.

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Possible missed opportunity.

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There's one area in this entire challenge where the teams can use the Harness Camera and go solo,

253
00:13:53,000 --> 00:13:59,000
and that is downstairs in the basement, so let's find out if Jim can come into contact with Claude.

254
00:13:59,000 --> 00:14:01,000
Audio up please.

255
00:14:02,000 --> 00:14:06,000
Looking for Mr. Claude Harvey.

256
00:14:06,000 --> 00:14:09,000
Claude Harvey had been sent down here to do some work on the elevator.

257
00:14:09,000 --> 00:14:14,000
He was found trapped with the car all the way down on top of his neck, and he was dead.

258
00:14:16,000 --> 00:14:19,000
Yeah, it's definitely getting a different feel in this room now.

259
00:14:19,000 --> 00:14:22,000
Just kind of scroll this around.

260
00:14:25,000 --> 00:14:26,000
It's gonna go down.

261
00:14:26,000 --> 00:14:29,000
No, no, no, no, he's not supposed to go down in there.

262
00:14:31,000 --> 00:14:33,000
It's pretty gnarly.

263
00:14:34,000 --> 00:14:36,000
What am I going down there?

264
00:14:42,000 --> 00:14:44,000
Isn't that dangerous?

265
00:14:44,000 --> 00:14:47,000
Yeah, it's a very, very old, old elevator.

266
00:14:47,000 --> 00:14:48,000
You shouldn't go down there.

267
00:14:48,000 --> 00:14:49,000
No.

268
00:14:52,000 --> 00:14:54,000
Yeah, I should have hoped that doesn't start moving.

269
00:14:56,000 --> 00:14:58,000
What's up, Claude?

270
00:14:59,000 --> 00:15:01,000
This is where your body was found.

271
00:15:02,000 --> 00:15:04,000
Give us some answers.

272
00:15:06,000 --> 00:15:09,000
By evoking and emoting with this murder victim.

273
00:15:09,000 --> 00:15:10,000
Asking the questions.

274
00:15:10,000 --> 00:15:13,000
Right, that's gonna be a great way to try to get some kind of interaction.

275
00:15:13,000 --> 00:15:15,000
Aren't you concerned the fact that he's down there by the elevator, chef?

276
00:15:15,000 --> 00:15:20,000
No, I'm not. You know, I give him a lot of points for having the bravery to just jump in like that.

277
00:15:21,000 --> 00:15:23,000
Alright.

278
00:15:32,000 --> 00:15:34,000
Do you hear that?

279
00:15:34,000 --> 00:15:36,000
You catch a knife?

280
00:15:47,000 --> 00:15:49,000
I heard you.

281
00:15:50,000 --> 00:15:54,000
She says that her style is provoking.

282
00:15:54,000 --> 00:15:58,000
So I want to see what she does in trying to elicit some of the activity here.

283
00:15:58,000 --> 00:16:00,000
Let's go audio up.

284
00:16:01,000 --> 00:16:14,000
I just heard what sounded like something rolling, almost like a gurney.

285
00:16:14,000 --> 00:16:16,000
Okay, let's go ahead and replay that.

286
00:16:25,000 --> 00:16:27,000
Alright, let's check this out.

287
00:16:31,000 --> 00:16:33,000
Careful.

288
00:16:42,000 --> 00:16:44,000
Are you over there?

289
00:16:44,000 --> 00:16:46,000
She's over here.

290
00:16:58,000 --> 00:17:00,000
I just heard some snaps over here.

291
00:17:00,000 --> 00:17:02,000
I got the chills, guys, over here.

292
00:17:02,000 --> 00:17:04,000
My hairs are back.

293
00:17:04,000 --> 00:17:06,000
They're standing up on end right now.

294
00:17:07,000 --> 00:17:09,000
There's something over here.

295
00:17:11,000 --> 00:17:13,000
There's a snapping again. Thank you.

296
00:17:13,000 --> 00:17:16,000
Please, do that again. Keep doing that.

297
00:17:16,000 --> 00:17:18,000
Please. That's awesome.

298
00:17:28,000 --> 00:17:30,000
Okay, go audio up, please.

299
00:17:30,000 --> 00:17:32,000
On, second.

300
00:17:35,000 --> 00:17:37,000
Do you hear that?

301
00:17:37,000 --> 00:17:38,000
The door.

302
00:17:38,000 --> 00:17:39,000
From the window or the door?

303
00:17:39,000 --> 00:17:41,000
This door is moving.

304
00:17:43,000 --> 00:17:45,000
That was...

305
00:17:45,000 --> 00:17:47,000
Is there an open window in that bathroom?

306
00:17:47,000 --> 00:17:48,000
Yes, there is.

307
00:17:48,000 --> 00:17:49,000
Hold on.

308
00:17:49,000 --> 00:17:51,000
Window. There is wind coming in through there.

309
00:17:51,000 --> 00:17:53,000
It's something over here.

310
00:17:53,000 --> 00:17:55,000
Something over here just came on.

311
00:17:59,000 --> 00:18:01,000
Hear that? What is that?

312
00:18:04,000 --> 00:18:06,000
Are you trying to turn on the TV?

313
00:18:09,000 --> 00:18:11,000
Yes, this TV is trying to go on.

314
00:18:11,000 --> 00:18:13,000
What?

315
00:18:13,000 --> 00:18:14,000
I heard that.

316
00:18:14,000 --> 00:18:15,000
Totally heard that.

317
00:18:15,000 --> 00:18:17,000
It's a faint hum.

318
00:18:18,000 --> 00:18:20,000
This spirit may be so excited

319
00:18:20,000 --> 00:18:24,000
that he was just being heard so many times intelligently

320
00:18:24,000 --> 00:18:28,000
by this team, he may be trying to use another electronic device

321
00:18:28,000 --> 00:18:32,000
like the TV to communicate through instrumental transcommunication.

322
00:18:33,000 --> 00:18:35,000
Kick it up.

323
00:18:35,000 --> 00:18:38,000
That's you, Tracy. All my last words.

324
00:18:38,000 --> 00:18:39,000
Explain.

325
00:18:41,000 --> 00:18:45,000
Okay, so right now we have a little bonus feature

326
00:18:45,000 --> 00:18:47,000
at Paranormal Challenge.

327
00:18:47,000 --> 00:18:51,000
Each team investigating in zone one,

328
00:18:51,000 --> 00:18:53,000
which is in the Grand Hotel,

329
00:18:53,000 --> 00:18:56,000
are going to have 30 minutes investigating

330
00:18:56,000 --> 00:18:58,000
alongside Chris Fleming.

331
00:18:58,000 --> 00:19:02,000
It's absolutely amazing to see him work with the spirit box.

332
00:19:02,000 --> 00:19:04,000
Chris can really draw them in.

333
00:19:04,000 --> 00:19:06,000
He's got a lot of fun.

334
00:19:06,000 --> 00:19:08,000
He's got a lot of fun.

335
00:19:08,000 --> 00:19:10,000
Chris can really draw them in.

336
00:19:10,000 --> 00:19:12,000
Can you hear me?

337
00:19:12,000 --> 00:19:13,000
Yes.

338
00:19:13,000 --> 00:19:16,000
Okay, right now we are going to send Chris Fleming in

339
00:19:16,000 --> 00:19:18,000
to investigate with you.

340
00:19:21,000 --> 00:19:22,000
What's up, guys?

341
00:19:22,000 --> 00:19:23,000
How you doing?

342
00:19:23,000 --> 00:19:24,000
I'm good.

343
00:19:24,000 --> 00:19:26,000
Nice to meet you.

344
00:19:26,000 --> 00:19:29,000
One thing to keep in mind, guys,

345
00:19:29,000 --> 00:19:32,000
is whenever you do a spirit box session,

346
00:19:32,000 --> 00:19:34,000
you want to keep an open mind,

347
00:19:34,000 --> 00:19:37,000
but you also want to be conscious of any radio frequency.

348
00:19:37,000 --> 00:19:40,000
You want to be conscious of any radio frequencies

349
00:19:40,000 --> 00:19:43,000
that come through to make sure there's no contamination.

350
00:19:43,000 --> 00:19:46,000
Now, the idea of a spirit box is that the spirits

351
00:19:46,000 --> 00:19:48,000
are using what's called random audio bits.

352
00:19:48,000 --> 00:19:50,000
They're trying to make their voices heard

353
00:19:50,000 --> 00:19:52,000
by either applying little bits of audio

354
00:19:52,000 --> 00:19:53,000
that's floating out there,

355
00:19:53,000 --> 00:19:56,000
or by impressing their voice on the white noise sound.

356
00:19:58,000 --> 00:20:01,000
This sound, like it said, listen.

357
00:20:01,000 --> 00:20:03,000
Something, something.

358
00:20:03,000 --> 00:20:05,000
That's awesome.

359
00:20:05,000 --> 00:20:06,000
Listen.

360
00:20:06,000 --> 00:20:07,000
Listen.

361
00:20:07,000 --> 00:20:08,000
Listen.

362
00:20:08,000 --> 00:20:09,000
Listen.

363
00:20:09,000 --> 00:20:11,000
Okay, watch the signals, too.

364
00:20:11,000 --> 00:20:13,000
Okay, the numbers that are going through.

365
00:20:13,000 --> 00:20:14,000
Ask.

366
00:20:14,000 --> 00:20:15,000
Ask.

367
00:20:15,000 --> 00:20:16,000
Just said ask.

368
00:20:16,000 --> 00:20:17,000
Ask.

369
00:20:17,000 --> 00:20:18,000
Ask.

370
00:20:18,000 --> 00:20:19,000
Are you a minor?

371
00:20:25,000 --> 00:20:28,000
It sounded to me like it said big time or something like that.

372
00:20:28,000 --> 00:20:30,000
Yeah, that's what I heard.

373
00:20:30,000 --> 00:20:31,000
Are you a minor?

374
00:20:31,000 --> 00:20:32,000
Big time.

375
00:20:32,000 --> 00:20:33,000
Big time.

376
00:20:33,000 --> 00:20:34,000
Big time.

377
00:20:34,000 --> 00:20:35,000
Big time.

378
00:20:35,000 --> 00:20:36,000
Big time.

379
00:20:40,000 --> 00:20:41,000
Did you hear it?

380
00:20:41,000 --> 00:20:43,000
Yeah, I'm hearing something outside.

381
00:20:44,000 --> 00:20:46,000
We just got a sound.

382
00:20:48,000 --> 00:20:50,000
All right, let's go out there with the device.

383
00:20:50,000 --> 00:20:51,000
Perfect.

384
00:20:51,000 --> 00:20:52,000
I'll bring this audio.

385
00:20:52,000 --> 00:20:53,000
We'll leave the other one here.

386
00:20:53,000 --> 00:20:54,000
So you guys heard a response.

387
00:20:54,000 --> 00:20:56,000
It said something which we weren't able to make out,

388
00:20:56,000 --> 00:20:59,000
but yet then we had a physical reaction to that of a bang.

389
00:20:59,000 --> 00:21:01,000
Take me to where you guys heard it.

390
00:21:03,000 --> 00:21:05,000
Now, as a medium sensitive, I just have to ask this.

391
00:21:05,000 --> 00:21:09,000
Do you guys feel any difference at all in the air

392
00:21:09,000 --> 00:21:12,000
or in this hallway from when we first came here?

393
00:21:12,000 --> 00:21:14,000
If so, explain.

394
00:21:14,000 --> 00:21:16,000
What was that?

395
00:21:17,000 --> 00:21:18,000
Did you hear that?

396
00:21:18,000 --> 00:21:21,000
What the f*** was that?

397
00:21:21,000 --> 00:21:22,000
Was that something?

398
00:21:22,000 --> 00:21:23,000
Moving?

399
00:21:23,000 --> 00:21:24,000
Hold on.

400
00:21:24,000 --> 00:21:25,000
Explain.

401
00:21:26,000 --> 00:21:27,000
Explain.

402
00:21:28,000 --> 00:21:32,000
We just heard a big rattle again that brought us back into this room.

403
00:21:33,000 --> 00:21:35,000
That was nuts.

404
00:21:36,000 --> 00:21:40,000
You were either banging or you scratched on something.

405
00:21:40,000 --> 00:21:42,000
Can you do that again for us, please?

406
00:21:42,000 --> 00:21:45,000
Well, I'll tell you what, since we're getting responses in this room,

407
00:21:45,000 --> 00:21:48,000
why don't you guys keep asking questions, okay?

408
00:21:48,000 --> 00:21:49,000
Perfect.

409
00:21:50,000 --> 00:21:54,000
Is this your United Birdie hospital house?

410
00:21:58,000 --> 00:21:59,000
What?

411
00:22:00,000 --> 00:22:02,000
Did you say it's my home?

412
00:22:02,000 --> 00:22:03,000
It's my home.

413
00:22:09,000 --> 00:22:10,000
You guys have to listen to me.

414
00:22:11,000 --> 00:22:12,000
I ain't no wrong.

415
00:22:12,000 --> 00:22:13,000
Did you hear that?

416
00:22:13,000 --> 00:22:15,000
That slang, I ain't no wrong.

417
00:22:15,000 --> 00:22:17,000
Okay, that goes back to what?

418
00:22:17,000 --> 00:22:19,000
1800s maybe, the way they talked?

419
00:22:19,000 --> 00:22:21,000
You guys have to listen to me.

420
00:22:21,000 --> 00:22:23,000
You guys have to listen to me.

421
00:22:24,000 --> 00:22:29,000
Are you one of the 9000 deaths that occurred here?

422
00:22:37,000 --> 00:22:39,000
Sounded like the voice said more than that.

423
00:22:54,000 --> 00:22:57,000
How'd that feel, Dave?

424
00:22:57,000 --> 00:22:58,000
Dave?

425
00:23:01,000 --> 00:23:05,000
Teams will now switch locations and continue investigating for 2 more hours.

426
00:23:06,000 --> 00:23:09,000
Living proof of the paranormal will now take zone 1

427
00:23:09,000 --> 00:23:14,000
and Southern Arizona Ghost and Paranormal Society will now explore zone 2.

428
00:23:15,000 --> 00:23:18,000
So let's go audio you up and check in on living proof of the paranormal.

429
00:23:18,000 --> 00:23:20,000
We're going to kick this off right away.

430
00:23:20,000 --> 00:23:25,000
Gearsson, right now I want you to go do your 30 minutes in room 32.

431
00:23:25,000 --> 00:23:26,000
Okay.

432
00:23:26,000 --> 00:23:27,000
Alright.

433
00:23:27,000 --> 00:23:33,000
Remember, during the equipment orientation, I made the teams draw a name out of two hats.

434
00:23:33,000 --> 00:23:38,000
Those names of those two people have to spend 30 minutes isolated,

435
00:23:38,000 --> 00:23:45,000
locked with a bookcase against the door and the balcony doors sealed shut from the outside

436
00:23:45,000 --> 00:23:48,000
in absolute pitch darkness.

437
00:23:48,000 --> 00:23:51,000
In one of the most active rooms here in the hotel.

438
00:23:51,000 --> 00:23:56,000
So just about 6 weeks after the paraplegic flung himself over the railing,

439
00:23:56,000 --> 00:24:00,000
the next patient to use this room was a man that had lung cancer.

440
00:24:00,000 --> 00:24:02,000
He executed himself in the night.

441
00:24:04,000 --> 00:24:08,000
So two suicides within 6 weeks in the same room.

442
00:24:11,000 --> 00:24:12,000
What the hell is that?

443
00:24:12,000 --> 00:24:13,000
Yeah, I'm here and...

444
00:24:13,000 --> 00:24:14,000
Kick it up.

445
00:24:14,000 --> 00:24:15,000
Kick up the vibe.

446
00:24:16,000 --> 00:24:17,000
Sit down.

447
00:24:17,000 --> 00:24:18,000
You want to sit down in the back, Earthy?

448
00:24:18,000 --> 00:24:20,000
You want to sit down next to me?

449
00:24:26,000 --> 00:24:29,000
Is that you pressing on my left arm?

450
00:24:32,000 --> 00:24:34,000
Sound like it's had a friend.

451
00:24:34,000 --> 00:24:35,000
Yes!

452
00:24:35,000 --> 00:24:36,000
That was awesome.

453
00:24:36,000 --> 00:24:38,000
Oh, this thing is going off.

454
00:24:46,000 --> 00:24:50,000
Right now, Geerson is barricaded.

455
00:24:50,000 --> 00:24:55,000
He's in room 32, said to be one of the most active here at the Drum Grand Hotel.

456
00:24:55,000 --> 00:24:57,000
Go up on Geerson.

457
00:24:59,000 --> 00:25:02,000
I'm definitely seeing something right now.

458
00:25:02,000 --> 00:25:05,000
And there's something white right here.

459
00:25:05,000 --> 00:25:07,000
I see my hand pass through it.

460
00:25:08,000 --> 00:25:11,000
Okay, right now I need you to go down to room 32.

461
00:25:11,000 --> 00:25:13,000
We've moved the bookcase from the door.

462
00:25:13,000 --> 00:25:15,000
You can allow Geerson out of the room.

463
00:25:15,000 --> 00:25:18,000
And at this time I'm going to send in Chris Fleming.

464
00:25:18,000 --> 00:25:21,000
Chris is going to conduct the spirit box session with you three.

465
00:25:21,000 --> 00:25:22,000
Geerson?

466
00:25:22,000 --> 00:25:23,000
Yeah.

467
00:25:23,000 --> 00:25:24,000
You ready?

468
00:25:24,000 --> 00:25:25,000
Yeah, I'm ready.

469
00:25:25,000 --> 00:25:26,000
How'd you do?

470
00:25:26,000 --> 00:25:29,000
I feel all tingling.

471
00:25:31,000 --> 00:25:33,000
What's up, LPOTP?

472
00:25:33,000 --> 00:25:35,000
How's it going?

473
00:25:35,000 --> 00:25:37,000
What this does, it sweeps all the channels.

474
00:25:37,000 --> 00:25:42,000
What we're going to be looking for are those voices or frequencies in between the channels.

475
00:25:42,000 --> 00:25:46,000
Now keep in mind, you are going to get some radio signals, but that's not what we're looking for.

476
00:25:46,000 --> 00:25:47,000
Yeah, I understand.

477
00:25:47,000 --> 00:25:50,000
You have to listen very carefully and close there.

478
00:25:53,000 --> 00:25:55,000
How old are you?

479
00:25:56,000 --> 00:25:57,000
A friend.

480
00:25:57,000 --> 00:25:58,000
A friend?

481
00:25:58,000 --> 00:25:59,000
Didn't you say that?

482
00:25:59,000 --> 00:26:00,000
Yeah, I like a friend.

483
00:26:00,000 --> 00:26:01,000
A friend.

484
00:26:01,000 --> 00:26:02,000
Yes.

485
00:26:02,000 --> 00:26:03,000
That was awesome.

486
00:26:03,000 --> 00:26:05,000
It was clear as day, just as we said that.

487
00:26:05,000 --> 00:26:06,000
Very compelling.

488
00:26:11,000 --> 00:26:13,000
Do you want us to stop doing this?

489
00:26:16,000 --> 00:26:17,000
Whoa, I'm sorry.

490
00:26:17,000 --> 00:26:18,000
I'm still here.

491
00:26:18,000 --> 00:26:19,000
I'm still here.

492
00:26:19,000 --> 00:26:20,000
Yeah.

493
00:26:28,000 --> 00:26:30,000
You say sex or sex?

494
00:26:30,000 --> 00:26:31,000
Sex.

495
00:26:31,000 --> 00:26:32,000
Sex.

496
00:26:35,000 --> 00:26:36,000
Sex.

497
00:26:38,000 --> 00:26:39,000
What?

498
00:26:39,000 --> 00:26:40,000
We're bored.

499
00:26:43,000 --> 00:26:44,000
Why are you bored?

500
00:26:44,000 --> 00:26:46,000
We're bored because we have no sex.

501
00:26:47,000 --> 00:26:49,000
Can you come touch me if you're in here?

502
00:26:51,000 --> 00:26:52,000
What did you hear that?

503
00:26:52,000 --> 00:26:53,000
Yeah, I will.

504
00:26:53,000 --> 00:26:54,000
I will.

505
00:26:54,000 --> 00:26:56,000
It says, I'll touch you.

506
00:26:56,000 --> 00:26:57,000
I will.

507
00:26:57,000 --> 00:26:58,000
Oh my god.

508
00:27:00,000 --> 00:27:01,000
Did you hear that?

509
00:27:01,000 --> 00:27:02,000
I will.

510
00:27:03,000 --> 00:27:04,000
Did you hear that?

511
00:27:07,000 --> 00:27:08,000
Can you come hold my hand?

512
00:27:12,000 --> 00:27:13,000
Rallie.

513
00:27:13,000 --> 00:27:14,000
Did you hear that?

514
00:27:14,000 --> 00:27:15,000
Holy hell.

515
00:27:15,000 --> 00:27:16,000
I heard that.

516
00:27:16,000 --> 00:27:17,000
Did that come from behind me?

517
00:27:17,000 --> 00:27:18,000
No, that came from this side.

518
00:27:18,000 --> 00:27:22,000
That was like, we just got like a DVP direct voice phenomenon.

519
00:27:22,000 --> 00:27:24,000
Is that what you guys heard before?

520
00:27:24,000 --> 00:27:25,000
Yeah.

521
00:27:25,000 --> 00:27:26,000
And I got...

522
00:27:26,000 --> 00:27:27,000
That's kind of weird.

523
00:27:27,000 --> 00:27:29,000
The millimeters start going off and then the cameras start going out of focus.

524
00:27:29,000 --> 00:27:31,000
At the same time, at the same time they're hearing a DVB.

525
00:27:31,000 --> 00:27:34,000
You can see Chris is reacting to some type of energy.

526
00:27:34,000 --> 00:27:35,000
Did you hear that?

527
00:27:35,000 --> 00:27:36,000
Holy hell.

528
00:27:36,000 --> 00:27:37,000
I heard that.

529
00:27:37,000 --> 00:27:39,000
Did that come from behind me?

530
00:27:39,000 --> 00:27:40,000
No, that came from this side.

531
00:27:40,000 --> 00:27:41,000
Did you hear that?

532
00:27:41,000 --> 00:27:42,000
Holy hell.

533
00:27:42,000 --> 00:27:43,000
I heard that.

534
00:27:43,000 --> 00:27:44,000
Did that come from behind me?

535
00:27:44,000 --> 00:27:46,000
No, that came from this side.

536
00:27:46,000 --> 00:27:47,000
Alright, you guys did a great job.

537
00:27:47,000 --> 00:27:48,000
Thank you.

538
00:27:48,000 --> 00:27:49,000
Thank you very much.

539
00:27:49,000 --> 00:27:50,000
You're welcome.

540
00:27:50,000 --> 00:27:51,000
Thank you.

541
00:27:51,000 --> 00:27:52,000
Good luck.

542
00:27:52,000 --> 00:27:53,000
You still got some more time to go.

543
00:27:53,000 --> 00:27:54,000
Absolutely.

544
00:27:55,000 --> 00:27:59,000
Over here with SAG apps, they are at the old hospital.

545
00:27:59,000 --> 00:28:01,000
So let's go audio up.

546
00:28:09,000 --> 00:28:11,000
I'm going to set the audio recorder next to this, Emma.

547
00:28:11,000 --> 00:28:12,000
Whoa.

548
00:28:12,000 --> 00:28:14,000
Whoa, this thing is going off.

549
00:28:15,000 --> 00:28:18,000
Temperature feels different right here just now.

550
00:28:18,000 --> 00:28:21,000
I'm reading about 87 now.

551
00:28:22,000 --> 00:28:24,000
So it's going to be 6 right around you, Laura.

552
00:28:30,000 --> 00:28:31,000
Did you hear that?

553
00:28:31,000 --> 00:28:32,000
Yes.

554
00:28:36,000 --> 00:28:38,000
It sounded like it was from that back room.

555
00:28:40,000 --> 00:28:42,000
Make back this way.

556
00:28:48,000 --> 00:28:50,000
Is that you rubbing up against my leg?

557
00:28:50,000 --> 00:28:51,000
I don't know, guys.

558
00:28:51,000 --> 00:28:53,000
I think the girls are sexually safe.

559
00:28:59,000 --> 00:29:01,000
I'm going to turn this off.

560
00:29:05,000 --> 00:29:09,000
Living proof of the paranormal right now are together on the second floor.

561
00:29:10,000 --> 00:29:11,000
Nice.

562
00:29:11,000 --> 00:29:12,000
Are you ready?

563
00:29:12,000 --> 00:29:13,000
I'm hearing noise right here.

564
00:29:13,000 --> 00:29:14,000
Okay.

565
00:29:18,000 --> 00:29:20,000
We thought we heard someone moving around in here.

566
00:29:23,000 --> 00:29:27,000
So we got just over two minutes left of paranormal challenge, Jerome Arizona.

567
00:29:27,000 --> 00:29:29,000
I'm about to ring the siren.

568
00:29:36,000 --> 00:29:38,000
Is that you rubbing up against my leg?

569
00:29:40,000 --> 00:29:41,000
I don't know, guys.

570
00:29:41,000 --> 00:29:43,000
I think the girls are sexually safe.

571
00:29:45,000 --> 00:29:47,000
No, please don't stop.

572
00:29:50,000 --> 00:29:52,000
Is he trying to find her hand right now?

573
00:29:52,000 --> 00:29:53,000
I don't know.

574
00:29:53,000 --> 00:29:54,000
Alright, let's go ahead.

575
00:29:54,000 --> 00:29:56,000
Let's hit room 27B.

576
00:29:57,000 --> 00:29:58,000
Okay.

577
00:30:27,000 --> 00:30:31,000
He'll present the four most compelling pieces captured during the competition.

578
00:30:31,000 --> 00:30:34,000
Two audio and two visual.

579
00:30:34,000 --> 00:30:38,000
And to help both teams, Zach has brought in tech expert Billy Tolly.

580
00:30:45,000 --> 00:30:49,000
This is all about pride, respect, credibility.

581
00:30:49,000 --> 00:30:54,000
The evidence will speak for itself, but as a team, we're pretty confident in our abilities.

582
00:30:54,000 --> 00:30:56,000
I'd say you're looking at the winners.

583
00:30:56,000 --> 00:30:57,000
I'm not nervous.

584
00:30:57,000 --> 00:30:59,000
May the best team win.

585
00:30:59,000 --> 00:31:01,000
It is judgment time.

586
00:31:01,000 --> 00:31:04,000
Judges, are you ready to see if these teams captured any evidence?

587
00:31:04,000 --> 00:31:05,000
Yes, sir.

588
00:31:05,000 --> 00:31:06,000
Let's bring them in.

589
00:31:07,000 --> 00:31:08,000
Crystal.

590
00:31:08,000 --> 00:31:09,000
Yes.

591
00:31:09,000 --> 00:31:10,000
Gerson.

592
00:31:10,000 --> 00:31:11,000
Aaron.

593
00:31:11,000 --> 00:31:12,000
How you doing?

594
00:31:12,000 --> 00:31:13,000
Good.

595
00:31:13,000 --> 00:31:17,000
Before I ask you if you captured any evidence, I want to introduce you to the judges.

596
00:31:17,000 --> 00:31:18,000
This is Patrick Burns.

597
00:31:18,000 --> 00:31:20,000
Chris Fleming, you've already met him.

598
00:31:20,000 --> 00:31:23,000
And this is Big Dave Schrader.

599
00:31:23,000 --> 00:31:25,000
Did you guys capture any audio evidence?

600
00:31:25,000 --> 00:31:26,000
Absolutely.

601
00:31:29,000 --> 00:31:31,000
This clip is with Chris.

602
00:31:31,000 --> 00:31:33,000
We were doing spirit box session.

603
00:31:33,000 --> 00:31:36,000
We captured a pretty long EVP.

604
00:31:36,000 --> 00:31:37,000
Play it.

605
00:31:38,000 --> 00:31:40,000
I can't say don't be scared.

606
00:31:54,000 --> 00:31:56,000
What do you think this is saying?

607
00:31:56,000 --> 00:31:58,000
Well, the first part, it sounds like yes.

608
00:31:58,000 --> 00:31:59,000
Okay.

609
00:31:59,000 --> 00:32:04,000
Second part, it sounds like it said poquito, which means just a little bit.

610
00:32:04,000 --> 00:32:05,000
Let's play it again.

611
00:32:05,000 --> 00:32:18,480
To me, all I hear is porcito. Chris.

612
00:32:18,480 --> 00:32:21,980
The first I do hear the yes, is definitely one of the signals coming through the radio,

613
00:32:21,980 --> 00:32:27,720
but it is a clear yes. I do hear the second EVP, so that's interesting.

614
00:32:27,720 --> 00:32:29,960
Crystal, second piece of audio, tell us about it.

615
00:32:29,960 --> 00:32:34,080
We were on the second floor near the dead room, and we were on the second floor near

616
00:32:34,080 --> 00:32:37,080
the dead room. I asked, will you touch me?

617
00:32:37,080 --> 00:32:38,520
Go ahead and play, Billy.

618
00:32:38,520 --> 00:32:40,720
Can you come touch me if you're in here?

619
00:32:40,720 --> 00:32:43,680
Can you come touch me if you're in here?

620
00:32:43,680 --> 00:32:49,320
You are saying that this spirit is responding to you intelligently.

621
00:32:49,320 --> 00:32:50,920
The response is, I will touch you.

622
00:32:50,920 --> 00:32:52,440
Play it again, Billy.

623
00:32:52,440 --> 00:32:54,800
Can you come touch me if you're in here?

624
00:32:54,800 --> 00:32:58,480
Can you come touch me if you're in here?

625
00:32:59,480 --> 00:33:05,480
We were watching this live from nerve center. I heard that right off the bat.

626
00:33:05,480 --> 00:33:07,480
You hear, I will touch you?

627
00:33:07,480 --> 00:33:09,480
I hear, I will touch you. I wrote down, I will touch you.

628
00:33:09,480 --> 00:33:10,480
You hear, as I heard it.

629
00:33:10,480 --> 00:33:13,480
The eye is very faint, but then it goes, will touch you.

630
00:33:13,480 --> 00:33:16,480
I hear the touch you part pretty clearly.

631
00:33:16,480 --> 00:33:20,480
Okay, Crystal, Garrison, Aaron, do you have visual evidence?

632
00:33:20,480 --> 00:33:21,480
Yes, we do.

633
00:33:22,480 --> 00:33:27,480
First piece is me speaking with Michael in his room,

634
00:33:27,480 --> 00:33:29,480
and he's responding through the millimeter.

635
00:33:29,480 --> 00:33:30,480
Go ahead.

636
00:33:31,480 --> 00:33:33,480
Michael, are you still here, me, Debbie?

637
00:33:33,480 --> 00:33:36,480
Aw, guys, I'm still sad.

638
00:33:36,480 --> 00:33:39,480
Like, I still want to make myself cry.

639
00:33:39,480 --> 00:33:43,480
Do you stay in here a lot, Michael, in this room?

640
00:33:45,480 --> 00:33:47,480
What are you feeling?

641
00:33:47,480 --> 00:33:49,480
Crystal, were you feeling the sadness?

642
00:33:49,480 --> 00:33:53,480
Very. I wanted to cry. It just felt extremely depressing in there.

643
00:33:53,480 --> 00:33:55,480
Is there a second piece of visual evidence?

644
00:33:55,480 --> 00:33:56,480
Yes, there is.

645
00:33:56,480 --> 00:33:59,480
I was snapping still pictures on the third floor,

646
00:33:59,480 --> 00:34:05,480
and one of them, there's actually about this much of a face of a man watching us.

647
00:34:05,480 --> 00:34:07,480
Billy, bring it up.

648
00:34:07,480 --> 00:34:10,480
If you can see right here, this is his head.

649
00:34:10,480 --> 00:34:19,480
Patrick, you're the professional photographer here. This is your department.

650
00:34:19,480 --> 00:34:20,480
You're staying here, correct?

651
00:34:20,480 --> 00:34:21,480
Yes.

652
00:34:21,480 --> 00:34:24,480
I can see where somebody might say that it resembles a face,

653
00:34:24,480 --> 00:34:28,480
but I think it's kind of inconclusive.

654
00:34:28,480 --> 00:34:32,480
I can see what appears to be it, but again, it's a difficult one for me.

655
00:34:32,480 --> 00:34:34,480
And I have a lot of problem with this type of technique camera,

656
00:34:34,480 --> 00:34:38,480
because they tend to get blurry. It's not sharp enough.

657
00:34:38,480 --> 00:34:41,480
Especially in darkened areas, because you'll have light blotches there

658
00:34:41,480 --> 00:34:46,480
that can make a lot of patterns that the human mind will matrix into faces.

659
00:34:46,480 --> 00:34:47,480
Absolutely.

660
00:34:47,480 --> 00:34:50,480
Living proof of the paranormal. Thank you very much.

661
00:34:50,480 --> 00:34:53,480
You may step back. Let's bring in SAG apps.

662
00:34:53,480 --> 00:34:55,480
Jim.

663
00:34:56,480 --> 00:34:59,480
Jim, Hector, Laura, how you doing?

664
00:34:59,480 --> 00:35:06,480
The winner of Paranormal Challenge, Jerome, Arizona, is...

665
00:35:09,480 --> 00:35:16,480
Living proof of the paranormal has delivered their evidence to the judges.

666
00:35:16,480 --> 00:35:21,480
It sounds like it said poquito, which means just a little bit. That's interesting.

667
00:35:21,480 --> 00:35:25,480
Now, it's SAG apps turn to present their evidence.

668
00:35:25,480 --> 00:35:28,480
Jim, Hector, Laura, how you doing?

669
00:35:28,480 --> 00:35:29,480
Great. Good.

670
00:35:29,480 --> 00:35:31,480
Did you capture two pieces of audio evidence?

671
00:35:31,480 --> 00:35:33,480
Yes, we did.

672
00:35:34,480 --> 00:35:39,480
First clip is with Mr. Fleming doing the ghost box session.

673
00:35:39,480 --> 00:35:42,480
This is actually before the ghost box session started.

674
00:35:42,480 --> 00:35:43,480
So it's an EVP?

675
00:35:43,480 --> 00:35:44,480
Yes, sir.

676
00:35:44,480 --> 00:35:45,480
Okay.

677
00:35:48,480 --> 00:35:49,480
I know what it's saying.

678
00:35:49,480 --> 00:35:51,480
For the first time I heard it, do you?

679
00:35:51,480 --> 00:35:52,480
I think I do.

680
00:35:52,480 --> 00:35:53,480
Okay, do you?

681
00:35:53,480 --> 00:35:56,480
We kind of came to the conclusion that it says, my head hurts.

682
00:35:56,480 --> 00:35:58,480
Play that again, please.

683
00:36:03,480 --> 00:36:07,480
I can hear something, I just can't clearly pick what the word is.

684
00:36:07,480 --> 00:36:09,480
Jim, did you capture a second piece of audio evidence?

685
00:36:09,480 --> 00:36:10,480
Yes, sir.

686
00:36:10,480 --> 00:36:13,480
Hector and Laura was up in Gurthie's room and they picked up this.

687
00:36:13,480 --> 00:36:14,480
Okay.

688
00:36:19,480 --> 00:36:21,480
What are you guys claiming it's here?

689
00:36:21,480 --> 00:36:25,480
We think it says something to the effect of open the brain.

690
00:36:25,480 --> 00:36:26,480
Play it again.

691
00:36:30,480 --> 00:36:32,480
Hector, are you sure that's not you?

692
00:36:32,480 --> 00:36:33,480
Absolutely.

693
00:36:33,480 --> 00:36:34,480
100%.

694
00:36:34,480 --> 00:36:35,480
Yes, sir.

695
00:36:35,480 --> 00:36:36,480
There's definitely something there.

696
00:36:36,480 --> 00:36:38,480
I mean, there's no doubt about it, it's just hard to decipher.

697
00:36:38,480 --> 00:36:40,480
And you're absolutely certain it wasn't you?

698
00:36:40,480 --> 00:36:41,480
Yeah, absolutely.

699
00:36:41,480 --> 00:36:43,480
Jim, did your team capture any visual evidence?

700
00:36:43,480 --> 00:36:44,480
Yes, sir.

701
00:36:44,480 --> 00:36:45,480
Two pieces?

702
00:36:45,480 --> 00:36:46,480
Yes, sir.

703
00:36:48,480 --> 00:36:54,480
First one is outside the room 25 after the spirit box session with Chris.

704
00:36:54,480 --> 00:36:55,480
What are we going to be looking at?

705
00:36:55,480 --> 00:37:01,480
There's a noise coming from inside the room and you can see the reaction from everybody in the hallway.

706
00:37:01,480 --> 00:37:03,480
If so, explain.

707
00:37:03,480 --> 00:37:05,480
So what was that?

708
00:37:05,480 --> 00:37:07,480
If so, explain.

709
00:37:07,480 --> 00:37:09,480
So what was that?

710
00:37:09,480 --> 00:37:11,480
It was just, it was freaky.

711
00:37:11,480 --> 00:37:13,480
What did it sound like?

712
00:37:13,480 --> 00:37:18,480
To me, it sounded like something possibly moving along a wood surface in the room.

713
00:37:18,480 --> 00:37:20,480
If so, explain.

714
00:37:20,480 --> 00:37:22,480
So what was that?

715
00:37:22,480 --> 00:37:24,480
Jim, do you have a second piece of visual evidence?

716
00:37:24,480 --> 00:37:25,480
Yes, we do.

717
00:37:25,480 --> 00:37:27,480
So I'm doing a sweep with the flare.

718
00:37:27,480 --> 00:37:31,480
Right by Hector's side, we see two faces.

719
00:37:31,480 --> 00:37:32,480
Two faces?

720
00:37:32,480 --> 00:37:33,480
Yeah.

721
00:37:33,480 --> 00:37:35,480
Billy, can you play that please?

722
00:37:35,480 --> 00:37:37,480
It's starting to form in the bottom right corner.

723
00:37:37,480 --> 00:37:38,480
There it is.

724
00:37:38,480 --> 00:37:39,480
Whoa.

725
00:37:39,480 --> 00:37:40,480
Look at that.

726
00:37:40,480 --> 00:37:41,480
Play that one more time.

727
00:37:41,480 --> 00:37:43,480
Pay attention to the color.

728
00:37:47,480 --> 00:37:48,480
Whoa, there it is.

729
00:37:48,480 --> 00:37:49,480
Very clear.

730
00:37:49,480 --> 00:37:50,480
Which is a lower temperature.

731
00:37:50,480 --> 00:37:51,480
What are you pointing out right now?

732
00:37:51,480 --> 00:37:52,480
The face.

733
00:37:52,480 --> 00:37:55,480
We do know ghosts, when they manifest, they tend to be lower temperatures.

734
00:37:55,480 --> 00:38:00,480
So you're going to see them appear on thermal cameras into a blue or darker color.

735
00:38:00,480 --> 00:38:04,480
They can turn into a face very quickly or hold it for a short period of time.

736
00:38:04,480 --> 00:38:08,480
Something in the background could reflect your body heat in a cooler area.

737
00:38:08,480 --> 00:38:11,480
And that maybe what's reflecting back for me, it's just, it's really hard to say.

738
00:38:11,480 --> 00:38:12,480
SAG apps.

739
00:38:12,480 --> 00:38:13,480
Thank you guys very much.

740
00:38:13,480 --> 00:38:15,480
Living proof of the paranormal.

741
00:38:15,480 --> 00:38:16,480
Thank you.

742
00:38:16,480 --> 00:38:17,480
You guys may be released.

743
00:38:17,480 --> 00:38:19,480
We'll call you back with our decision.

744
00:38:19,480 --> 00:38:20,480
Thank you.

745
00:38:25,480 --> 00:38:27,480
Alright guys, let's go through the categories.

746
00:38:27,480 --> 00:38:28,480
Start off by history.

747
00:38:28,480 --> 00:38:31,480
Right off the bat, living proof of the paranormal, our buddy Gearson.

748
00:38:31,480 --> 00:38:33,480
You want to sit down in the back, Earthy?

749
00:38:33,480 --> 00:38:34,480
You want to sit down next to me?

750
00:38:34,480 --> 00:38:42,480
Not only did Gearson mess up the room, but when he later told his teammates that he was trying to communicate with Gearson in that room, nobody bothered to step up and correct him.

751
00:38:42,480 --> 00:38:43,480
To correct him.

752
00:38:43,480 --> 00:38:44,480
Now what about SAG apps?

753
00:38:44,480 --> 00:38:49,480
Jim would take the history and implement it into the questions.

754
00:38:49,480 --> 00:38:50,480
He would call those people out.

755
00:38:50,480 --> 00:38:51,480
Absolutely.

756
00:38:51,480 --> 00:38:52,480
Which was excellent.

757
00:38:52,480 --> 00:38:53,480
So I was impressed.

758
00:38:53,480 --> 00:38:56,480
Looking for Mr. Claude Harvey.

759
00:38:56,480 --> 00:38:59,480
Okay, let's move on to technology.

760
00:38:59,480 --> 00:39:07,480
I think living proof, you know, I think they were fine with their technology, but I don't think their backup support of their technology was efficient.

761
00:39:07,480 --> 00:39:15,480
Well, one thing I'll say about living proof, they found activity using the millimeter and they consistently stayed with that for the rest of their investigation.

762
00:39:15,480 --> 00:39:18,480
But once again, SAG apps was overly impressive.

763
00:39:18,480 --> 00:39:20,480
Let's talk about evidence.

764
00:39:20,480 --> 00:39:26,480
One of the audio clips is very suspicious to me and it's a clip that SAG apps presented to us.

765
00:39:26,480 --> 00:39:28,480
I'll do the writing.

766
00:39:28,480 --> 00:39:30,480
Hector, are you sure that's not you?

767
00:39:30,480 --> 00:39:31,480
Absolutely.

768
00:39:31,480 --> 00:39:32,480
100%

769
00:39:32,480 --> 00:39:33,480
Yes, sir.

770
00:39:33,480 --> 00:39:34,480
I have something to show you guys.

771
00:39:34,480 --> 00:39:35,480
Okay.

772
00:39:35,480 --> 00:39:37,480
I'll do the writing.

773
00:39:37,480 --> 00:39:39,480
I'll do the writing.

774
00:39:39,480 --> 00:39:41,480
I'll do the writing.

775
00:39:41,480 --> 00:39:42,480
I don't know.

776
00:39:42,480 --> 00:39:43,480
Is that a tantamount to treason?

777
00:39:43,480 --> 00:39:48,480
As we've said in the past, everybody makes mistakes, but I don't know that it discounts the team.

778
00:39:48,480 --> 00:39:50,480
It doesn't discount the team.

779
00:39:50,480 --> 00:39:51,480
Absolutely not.

780
00:39:51,480 --> 00:39:55,480
It was a simple mistake that could be made by any, no matter how great a team you are.

781
00:39:55,480 --> 00:39:57,480
I can't tell you the number of times I've whispered during that.

782
00:39:57,480 --> 00:39:59,480
Absolutely.

783
00:39:59,480 --> 00:40:01,480
Audio goes to living proof.

784
00:40:01,480 --> 00:40:03,480
They forfeit that category.

785
00:40:03,480 --> 00:40:04,480
The other team automatically wins it.

786
00:40:04,480 --> 00:40:07,480
Let's talk about the visual pieces of evidence.

787
00:40:07,480 --> 00:40:10,480
We had living proof, brought us the millimeter with Michael and the communication.

788
00:40:10,480 --> 00:40:12,480
Michael, you still hear me?

789
00:40:12,480 --> 00:40:15,480
Aww.

790
00:40:15,480 --> 00:40:19,480
SAG-Apps brought us the scraping in the hall or that growling noise when Chris was there.

791
00:40:19,480 --> 00:40:20,480
Explain.

792
00:40:20,480 --> 00:40:22,480
What was that?

793
00:40:22,480 --> 00:40:25,480
Part two, both of them brought us matrixing.

794
00:40:31,480 --> 00:40:33,480
I don't have a winner for visual.

795
00:40:33,480 --> 00:40:34,480
To me, visual is on discount.

796
00:40:34,480 --> 00:40:36,480
I was going to say the same thing.

797
00:40:36,480 --> 00:40:38,480
I didn't see anything that was presented to the film.

798
00:40:38,480 --> 00:40:39,480
I didn't either.

799
00:40:39,480 --> 00:40:41,480
I saw, I was not impressed by thermal.

800
00:40:41,480 --> 00:40:42,480
I saw matrixing all around.

801
00:40:42,480 --> 00:40:44,480
And that leaves us in a dead tie.

802
00:40:44,480 --> 00:40:46,480
We've got a deadlock.

803
00:40:46,480 --> 00:40:49,480
What does this always happen?

804
00:40:59,480 --> 00:41:03,480
Teams, SAG-Apps, living proof of the paranormal.

805
00:41:03,480 --> 00:41:08,480
On behalf of myself, the judges this week, Patrick Burns, Chris Fleming, Dave Schrader.

806
00:41:08,480 --> 00:41:10,480
Thank you guys for being here.

807
00:41:10,480 --> 00:41:12,480
It was a pleasure to watch you guys.

808
00:41:12,480 --> 00:41:16,480
You brought totally distinct personalities to this investigation.

809
00:41:16,480 --> 00:41:19,480
It was a very tight decision, actually.

810
00:41:19,480 --> 00:41:25,480
With that said, I'd like to announce the winner of Paranormal Challenge, Jerome, Arizona.

811
00:41:25,480 --> 00:41:30,480
The winner is...

812
00:41:36,480 --> 00:41:38,480
Living proof of the paranormal.

813
00:41:38,480 --> 00:41:39,480
Congratulations.

814
00:41:39,480 --> 00:41:40,480
Congratulations.

815
00:41:40,480 --> 00:41:41,480
Oh my gosh.

816
00:41:41,480 --> 00:41:42,480
Thank you.

817
00:41:42,480 --> 00:41:44,480
Oh, he's so bright.

818
00:41:44,480 --> 00:41:46,480
I shed a tear of joy.

819
00:41:46,480 --> 00:41:48,480
I admit, openly.

820
00:41:48,480 --> 00:41:49,480
We just won.

821
00:41:49,480 --> 00:41:50,480
Awesome.

822
00:41:50,480 --> 00:41:57,480
I want to address the audience and also a very hard-working paranormal team.

823
00:41:57,480 --> 00:42:00,480
You accidentally submitted an EVP that was your voice.

824
00:42:00,480 --> 00:42:01,480
Right?

825
00:42:01,480 --> 00:42:03,480
This is one little mistake.

826
00:42:03,480 --> 00:42:05,480
And this is an accident, ladies and gentlemen.

827
00:42:05,480 --> 00:42:08,480
So many paranormal teams are scrutinized for this.

828
00:42:08,480 --> 00:42:10,480
Guys, we're a kick-ass team.

829
00:42:10,480 --> 00:42:11,480
You had a speechless.

830
00:42:11,480 --> 00:42:13,480
And I'd like to see you on another episode.

831
00:42:13,480 --> 00:42:14,480
Okay.

832
00:42:14,480 --> 00:42:15,480
All right?

833
00:42:15,480 --> 00:42:16,480
All right.

834
00:42:16,480 --> 00:42:17,480
Thank you.

835
00:42:17,480 --> 00:42:18,480
Thanks for the opportunity.

836
00:42:18,480 --> 00:42:19,480
You're welcome.

837
00:42:19,480 --> 00:42:20,480
You guys did a great job.

838
00:42:20,480 --> 00:42:21,480
Thank you.

839
00:42:21,480 --> 00:42:22,480
Thanks.

840
00:42:22,480 --> 00:42:23,480
Thank you very much.